![the crankcase motorcycle tours](code/crankcase_logo.jpg)
motorcycle touring holiday Germany Europe classic Ducati Bimota Superbike experience
First time to ride in Japan on the Izu Skyline
![Guided motorcycle touring holiday in Europe contract motorcycle designer - First time to ride in Japan on the Izu Skyline](images/contact ian/Ian_thecrankcase_Izu_skyline_Honda_Shadow.jpg)
My interest for technical things led me to get a bike as soon as I could and bought a Honda SS50 to use on the road as I turned 16 years old.
In the following years, I studied Engineering up to diploma in Engineering Technology accompanied by an ever changing motorcycle collection.
After the SS50 came a Honda CB200, which was a real step up! To which I fitted ace bars and a 2 into 1 exhaust as well as painting it of course, first something influenced by all the chopper magazines that I read, finally a more decent dark metallic blue.
Next was a 1962 Triumph 3TA, a Honda CB400T, Suzuki GT500, a 1968 BSA D14/4 Bantam sports as well as a selection of 175 and 200cc Honda twins; with one of which I made my first touring experience to France and Switzerland.
![Guided motorcycle touring holiday in Europe contract motorcycle designer -](images/contact ian/hondacb200firstbikecustomcaferacer_cropped.jpg)
![Guided motorcycle touring holiday in Europe contract motorcycle designer -](images/contact ian/suzukikatanagsx1000rickmanbonnevilletriumphmetissetritont100bikecollectionsammlung.jpg)
![Guided motorcycle touring holiday in Europe contract motorcycle designer -](images/contact ian/katana.jpg)
![Guided motorcycle touring holiday in Europe contract motorcycle designer -](images/contact ian/motoguzzilemans1850importtouringforsalesummerthecrankcase.jpg)
As I could finally afford to spend even more money on my hobbies, I bought a few more bikes to try and replace everything that I had previously sold; only the Ducati was 'worthy' enough to be kept up until now, even though I regret selling the Rickman the most because of it's solid handling, top quality workmanship, good looks and rarity.
Next to come was a Kawasaki GPz1100 unitrak with fuel injection which wasn't really what I needed; how about a Honda CB250RS single? which had to eventually be replaced by the Honda Hawk, another one that was kept until recently.
These bikes also had to compete with other interests, particularly mountain biking with my cast magnesium framed Kirk (known as the Araya Muddy fox in Japan) and later a Cannondale SV1000 with the carbon fibre swing arm. As well as a Cannondale R700 time trial bike for my participation in countless local triathalons.
Next to come was a Kawasaki GPz1100 unitrak with fuel injection which wasn't really what I needed; how about a Honda CB250RS single? which had to eventually be replaced by the Honda Hawk, another one that was kept until recently.
These bikes also had to compete with other interests, particularly mountain biking with my cast magnesium framed Kirk (known as the Araya Muddy fox in Japan) and later a Cannondale SV1000 with the carbon fibre swing arm. As well as a Cannondale R700 time trial bike for my participation in countless local triathalons.
![Guided motorcycle touring holiday in Europe contract motorcycle designer -](images/contact ian/38.jpg)
The SC was the best to drive but when I wasn't using my company car, I always prefered to ride motorcycles, which was the natural end to my Porsche ownership and I sold the last one just before the prices for air cooled Porsches 'hit the roof'.
I worked on many fascinating projects for Honda over 19 years, as well as the 'bread and butter' models, often travelling to Japan, sometimes the U.S.A. Brazil and of course all around Europe. In many cases making research, which luckily included visiting biking events such as Daytona bike week or the Isle of Man TT races.
Finally I spent one and a half years working in the Roma studios, after all design activities in Germany were closed, but obviously this wasn't convenient for my life with Brigitte and the half finished house that we were rebuilding.
That's when we deceided to start 'THE CRANKCASE.'
Finally I spent one and a half years working in the Roma studios, after all design activities in Germany were closed, but obviously this wasn't convenient for my life with Brigitte and the half finished house that we were rebuilding.
That's when we deceided to start 'THE CRANKCASE.'